Character's Name: Fakir Character's Fandom: Princess Tutu Character's Home Universe:Princess Tutu's story is set in the town of Gold Crown Town, a town containing a boarding school for the arts. Normally that would be fine, but it gets interesting when one finds out that the town itself is the setting for a story written in blood by a dead man whose hands were cut off, and that all the people inside are characters in this story. The main characters are all either reincarnations of the original story's characters or just straight-up the characters that walked out of the story long ago. In Gold Crown town, basically all paranormal activity is in the form of "heart shards" belonging to the prince from the story possessing people, animals, or inanimate objects, and are resolved by dancing with them. The characters are either completely normal human-shaped or not-even-that-far anthropomorphosed animals (even the main teacher for the ballet classes is just straightly a cat). It is in this setting that the story of the story we are watching (do you see what I did there?) takes place.
Canon Point you're taking him/her/it from: Three days after the point from which Duck was taken.
Method of Arrival on Station: Fakir wrote a doorway into existence that took him "to the place where the duck-who-was-a-girl had gone." The reality from which he wrote himself was fine with this, but the multiverse sort of hiccupped when he went through it, and destroyed it behind him. Not as though he could not simply write another one, but that might end up not behaving the way he wants... Physical Appearance:Convenient Art is Convenient (http://home.arcor.de/shd/art/ententanz.jpg) Personality: At the end of the story, Fakir has gone from the cynical asshole at which he began to an actual reasonable character. He becomes much more sentimental and emotional than anyone thought was possible while watching season 1, so far as to promise Duck at the end that even though she is just a comically-proportioned tiny yellow duck and he is a human, he will stay with her forever. He was intensely overprotective of Mytho in the past, but now that Mytho and Rue have "ridden off into the sunset," as it were, he has no reason to continue it. He has instead focused on the sort of awkward love for the small yellow bird he's got going on. Furthermore, he is rather stern when it comes to actual ballet practice and technique. This extends to anything about which there is a formalised study, but in most cases he is simply content to practice until he gets something right. Now that he remembers how his parents died (thanks Duck), he rather scarcely has instances of regret and sadness in regards to this event, and let us be honest, no teenager is going to be of completely sound mind after going through the issue with the Raven and Mytho being evil and all the terrible mind-crushing crap that happened to him.
Fakir App, as promised.
Your Name: Ten
Your Info: Everyone knows already
Character:
Character's Name: Fakir
Character's Fandom: Princess Tutu
Character's Home Universe:Princess Tutu's story is set in the town of Gold Crown Town, a town containing a boarding school for the arts. Normally that would be fine, but it gets interesting when one finds out that the town itself is the setting for a story written in blood by a dead man whose hands were cut off, and that all the people inside are characters in this story. The main characters are all either reincarnations of the original story's characters or just straight-up the characters that walked out of the story long ago. In Gold Crown town, basically all paranormal activity is in the form of "heart shards" belonging to the prince from the story possessing people, animals, or inanimate objects, and are resolved by dancing with them. The characters are either completely normal human-shaped or not-even-that-far anthropomorphosed animals (even the main teacher for the ballet classes is just straightly a cat). It is in this setting that the story of the story we are watching (do you see what I did there?) takes place.
Canon Point you're taking him/her/it from: Three days after the point from which Duck was taken.
Method of Arrival on Station: Fakir wrote a doorway into existence that took him "to the place where the duck-who-was-a-girl had gone." The reality from which he wrote himself was fine with this, but the multiverse sort of hiccupped when he went through it, and destroyed it behind him. Not as though he could not simply write another one, but that might end up not behaving the way he wants...
Physical Appearance: Convenient Art is Convenient (http://home.arcor.de/shd/art/ententanz.jpg)
Personality: At the end of the story, Fakir has gone from the cynical asshole at which he began to an actual reasonable character. He becomes much more sentimental and emotional than anyone thought was possible while watching season 1, so far as to promise Duck at the end that even though she is just a comically-proportioned tiny yellow duck and he is a human, he will stay with her forever. He was intensely overprotective of Mytho in the past, but now that Mytho and Rue have "ridden off into the sunset," as it were, he has no reason to continue it. He has instead focused on the sort of awkward love for the small yellow bird he's got going on. Furthermore, he is rather stern when it comes to actual ballet practice and technique. This extends to anything about which there is a formalised study, but in most cases he is simply content to practice until he gets something right. Now that he remembers how his parents died (thanks Duck), he rather scarcely has instances of regret and sadness in regards to this event, and let us be honest, no teenager is going to be of completely sound mind after going through the issue with the Raven and Mytho being evil and all the terrible mind-crushing crap that happened to him.